



Layered arcs and sweeps. White gesture over black ground.




Fractured marks scattered across black. The gesture breaks apart.



Curved white forms looping through dark ground.



Circular white forms turning through black. The brush rotates.




Compressed indigo mass on white ground. The gesture coils inward.




Indigo and orange on white. Color enters the practice.




A single broad arc. Black over white with an orange accent.




Dense black field with orange at the top edge. Pressure visible in the stroke.




Dark mass descending. Orange band above the black.

Spiral marks turning inward. White on black.



White fragments on black ground. The mark breaks and reforms.




Small format. A dark geometric form held in white space.




Small format. Black block on white. Still and weighted.



Small format. Dark form with orange accent on white ground.
Each painting begins with sweeping black strokes, broad and fast and instinctive. From there the composition emerges on its own terms. Areas fill in as the work asks for them. Some pieces receive layered white strokes on top, pulling form back out of the dark.
The process is not forced into a single session. A painting might be finished in an afternoon or left for days, returned to only when something new wants to be built on top of what’s already there.
Acrylic on Rives BFK printmaking paper. Every piece is sold unframed. It ships flat or rolled and arrives ready to frame. A conservation float-mount in a slim white oak frame is what I recommend, and a sample spec is available on request.
Available works, shipping, commissions. Write directly. Replies within a day or two. Framing not included.
dangregoras@gmail.com